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Johnson: Cars Have Wheels
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Johnson: Radiators Helpful In Winter
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Johnson: Rolly Chairs More Mobile Than Normal Chairs
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Johnson: Staplers More Useful With Staples Than Without
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Johnson: TV Good Way To Watch Moving Pictures
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Johnson: Losing Keys Creates Problems
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Johnson: Jaywalking Can Occasionally Be Dangerous
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Johnson: Russia Might Be The Largest Country In The World
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Johnson: It’s Warmer When The Sun Is Out
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Johnson: Lake Michigan Probably Larger Than Lagoon On Campus
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Johnson: For Theater Majors, Continue reading
The Hollow Pastiche of Beyoncé’s Genius: A Reviéw
13 DecThe songs on Beyoncé’s fifth studio album, BEYONCÉ, are fine. They’re good songs that sound like the music Beyoncé makes, which is what people like to listen to. The music on the album is whatever and absolutely besides the point because OH MY GOD BEY JUST BROUGHT THE INTERNET TO A GRINDING HALT. Beyoncé unexpectedly dropping a 14-song album and the 17 corresponding music videos plus credits exclusively on iTunes—and the ensuing collective Internet swoon—makes Beyoncé pop culture’s truest celebrity and genius. But the mega-stardom and brilliance of Beyoncé and her album succeeds either because of, or in spite of her “visual album” presenting a form of pastiche as devoid of substantive value as Upworthy, and not even half as inspired.
OH MY GOD BEYONCÉ JUST DROPPED A NEW ALBUM ON ITUNES
13 Dec
Pictured: The Queen, just moments after I coated my nether regions in a thick layer of urine.
Guys. GUYS. GUYYYYYSSSSSSSSSSS.
The rumors are true. Beyoncé just dropped a new album on iTunes and didn’t even tell anyone, not even Blue Ivy.
This is basically our generation’s Pearl Harbor, except we’re excited about it, and even the president didn’t know it was going to happen.
Beyoncé’s fifth studio album, complete with complementary videos for literally every song, plus a bonus video, means that this is the most visual material Beyoncé has supplied since posing for the cover of Sports Illustrated: Swimsuit Edition. According to the hastily scrawled iTunes Editors’ Notes, the album is “a provocative, unguarded artistic statement–revealing a side of the icon previously unknown to fans and cementing her status as a pop visionary.”
Not like we needed to study for finals or anything.
A Line-By-Line Analysis of Kidz Bop’s “Thrift Shop”
21 JulIf you are an avid Sherman Ave reader, then you likely have seen our line by line analysis of Macklemore and Ryan Lewis’s chart topping hit “Thrift Shop.” Or if you are a casual reader you have probably seen the article too–it’s our most viewed article of all time, which just speaks to how fantastic the song is.
Thrift Shop has achieved many firsts in terms of its chart performanc. It was the second ever independent song at number one and held that place for 6 weeks, and its reign would have lasted into perpetuity were it not knocked down halfway through its tenure by the Harlem Shake, because apparently Youtube clips of a song count towards a song’s total plays. But really have you listened to more than 30 seconds of Harlem Shake? If you have then you definitely didn’t do it a second time. That song sucks.
How could we as a society commemorate a song that brought irony to the forefront of the mainstream, that brought a generation together through identifying with a culture it doesn’t really understand, that pissed off your friends from Seattle cause they knew about it when it came out (that was back in last August. When Todd Akin was still culturally relevant). How do we honor it? We better Kidz Bop this mothafucka.
Album Review: Brown Sugar’s “Zamaane”
22 MaySome say that a cappella at Northwestern is like the TV show Glee. But that can’t be, because the kids on Glee bagged football players and couldn’t drink for shit, which we all know doesn’t hold true for acca-biddies and acca-bros at Northwestern.
Others posit that a cappella at Northwestern is more like Community. Marginally popular–but not enough to get people to care enough to watch every performance–and irrationally beloved among the theater community.
While all these theories and more may be true, it’s clear after the first listen that Brown Sugar‘s latest album Zamaane situates Brown Sugar as the Mad Men of a cappella at NU: Genre-defining, poignant, sexy in all the right places, and best after a glass of scotch or five. Just so long as you ignore the fact that the Mad Men cast is more white-washed than Mitt Romney’s book group and Brown Sugar is, well, the nation’s premiere co-ed South Asian collegiate a cappella group.