Here’s the thing about R. Kelly: At this point, he has nothing left to prove to anyone. Except, clearly, himself, which is why this 46-year-old self-described “Pied Piper of R&B,” who’s sold a cool 38.5 million albums since 1991, just released his latest, Black Panties.
Yep, Black Panties. It’s a good bet that after releasing two albums of throwback, Motown-inspired music – 2010’s Love Letter and 2012’s Write Me Back – Kelly felt the need to get back to basics. In R. Kelly’s world, this involves being as horny as possible all the time and letting people know.
The weekend is approaching, and you’ve bought tickets to Pitchfork 2013. Amidst all the band names that involve either A) Plural Nouns (Woods, Savages, Swans, Metz), or B) Something Foreign-Sounding (Mikal Cronin, Toro Y Moi, Autre Ne Veut), you’ll see a familiar name: R. Kelly.
Saturday night, it’s all happening baby.
Maybe you’ve heard Aziz Ansari’s take on seeing Kelly in concert . You’ve definitely heard of his sex scandal, but let’s not get into that right now. The point is: have you heard the man’s stuff?
Recording artist and known Benzie enthusiast Nelly is gearing up to release a new album later this summer, to be called M.O.
Naturally, pop radio has gotten ahold of two new singles in anticipation. And by “anticipation,” I mean someone on Nelly’s team is paying good ke$ha to make sure that we might remember Nelly as more than just that guy with the one song about “riding with me.”
So the new Macklemore & Ryan Lewis album The Heist just dropped and basically it’s fucking awesome. I’ve decided to take a look at one of the more remarkable tracks off the album, “Thrift Shop.” Here now begins a lyrical analysis of the above song.
“What, what, what, what, what….
From the outset, the listener’s curiosity is piqued, building into the sexy saxophone hook.
I’m gonna pop some tags/ only got 20 dollars in my pocket
Limited by a frustrating, Obama’s America budget, Macklemore, speaking through Wanz, is nevertheless determined to refresh his wardrobe with some novel accouterments.
I, I, I’m hunting, lookin’ for a come-up/ This is fucking awesome.
The artist is unable to contain his excitement as he searches for a surprise new fashion trend, which he himself shall inspire. Certainly, the pleasure lies in the pursuit.
Walk into the club like what up, I got a big cock/I’m so pumped, I bought some shit from a thrift shop
Fast forward now to a moment in which Mackelmore’s newfound discount “swag” is already prominently on display at a discotheque. His braggadocio—or is it genuine honesty? —well suits his fresh duds. Macklemore now confirms our suspicion: that his fantastic fur coat came at a discounted purchase, and that he derives excitement from that fact.
Ice on the fringe is so damn frosty, /The people like “damn, that’s a cold ass honkey”
Macklemore ascribes his incredibly rare and valuable discovery as something akin to a diamond, or “ice,” which, when found “on the fringe,” or outside of the conventional realm, is especially “cool” or “frosty.” The extraordinary nature of his find has the crowd’s attention and respect.
Rollin’ in hella deep, headed to the mezzanine/Dressed in all pink, except my gator shoes, those are green. /Draped in a leopard mink girls standin’ next to me/Probably should have washed this, it smells like R. Kelly’s sheets
On his way to the entresol with a number of disciples, Macklemore reveals that his fur coat was only an appetizer to something much greater. For him, pink is not for cancer supporters, little girls, or real men. Rather, it is for those who would dare to demonstrate a remarkable sense of style and, further, to be shod in the skin of a deadly fresh-water predator. Adorned with additional super intensely awesome animal skins and fine women to boot, Macklemore suddenly discovers the chink in the armor (LOLJeremyLinLOL), his very own Achilles’ Heel. For all the grandeur of his garb, his perfume is not so sweet. Nay, it is reminiscent of a certain R&B artist’s alleged proclivity to relieve himself onto young women, to “turn [their faces] into a toilet seat, as it were.[1]
Pissssssssssssss/But shit, it was 99 cents. /Bought it, coppin’ it, washin’ it.
Highly effective onomatopoeia precedes Macklemore’s unapologetic explanation for the scent, as well as his willingness to address the issue at a future point in time.
‘Bout to go and get some compliments passin’ off in those moccasins/Someone else has been walkin’ in, but me and grungie fuckin’ ‘em/I am stuck in a closet and savin’ my money/And I’m hella happy, that’s a bargain, bitch.
Here, Macklemore documents further instances in which he demonstrates observers’ appreciation for his second-hand style.
Imma take your grandpa’s style, imma take your grandpa’s style, /No, for real I asked your grandpa, can I have his hand-me-downs?
Now Macklemore turns on the listener. He’s going to steal YOUR grandpa’s style. OUR COLLECTIVE GRANDPA’S STYLE. Technically, since both of my grandfathers are dead, I’m exempt from all of this. Still, he’s taking our entitlements. OUR OBAMA-GIVEN ENTITLEMENTS.
The lord’s jumpsuit and some house slippers, /Dookie brown leather jacket that I found diggin’. /They had a broken keyboard, I bought a broken keyboard/ I bought a skeet blanket, then I bought a kneeboard.
Don’t ask what a skeet blanket is. Seriously, don’t. Well, you don’t really need to, since I guess it’s pretty fucking obvious. Not sure about the need for a broken keyboard, that just seems wasteful, but maybe Macklemore likes fixer uppers. But a kneeboard? Oh hell yes. Way better than tubing or waterskiing. Also good if you suffer from paraplegia.
Arguably the funkiest white man since Michael Jackson
Hello, hello, my ace man, my mello/John Wayne ain’t got nothing on my fringe game,
Hell no! I can take some pro wings make ‘em cool, sell those/ The sneaker heads will be like “Ah he got the Velcro.”
When I first heard these lines, I thought Macklemore was saying that John Wayne had nothing on “my French gay Elmo.” I like my version better. Fringe game makes a lot more sense though. Also, Velcro on shoes needs to come back. Laces are the worst.
I’m gonna pop some tags
Only got 20 dollars in my pocket
I, I, I’m hunting, lookin’ for a come-up
This is fucking awesome. (x2)
What you know ‘bout rockin’ the wolf on your noggin/What you knowin’ about wearing a fur fox skin/I’m digging, I’m digging, I’m searching right through that luggage/One man’s trash, thats another man’s come-up. /Thanking gran dad, for donating that plaid button-up shirt/‘cause right now I’m up in here stuntin’ I’m at the Goodwill, you can find me in the Benz, /I’m not, I’m not, I’m not searching in that section.
This is the part of the song that separates the dedicated lip-syncing sing-along assholes from the rest. These lyrics aren’t particularly remarkable except that they’re delivered so rapidly and so stylishly. I gave up just reading through this section. I do like the idea of a wolf on my noggin though. But according to Macklemore, I wouldn’t know anything about that.
Your grandma, your aunties, your momma, your mammy, /I’ll take those flannel zebra ‘jammies secondhand, I’ll rock that motherfucker. /They built-in onesie with the socks on the motherfucker.
Macklemore is going shopping with the females of your extended family. Further, he’s going to take that snuggie fad and turn it on its head by bringing back the adult onesie. Wait, did that already happen? I guess it hasn’t happened with USED onesies yet. Certainly not flannel zebra onesies. Personally, my feet always got too hot when I wore a onesie with the socks on the motherfucker. I felt that way as a 2-year old, I still feel it now. Macklemore can keep his zebra onesies.
I hit the party and they stopped in that motherfucker. /They be like oh! That Gucci, that’s hella tight. /I’m like Yo! That’s 50 dollars for a t-shirt. /Limited edition, let’s do some simple addition, 50 dollars for a t-shirt, that’s just some ignorant bitch shit. /I call that getting swindled and pimped, shit. /I call that getting tricked by a business. /That shirt’s hella dough/ and having the same one as six other people in this club is a hella don’t.
Peep game, come take a look through my telescope/Trying to get girls with brands, then you hella won’t. /Man, you hella won’t.
Macklemore now engages in an extended, poignant rant about the unreasonable, even criminal costs associated with modern style. 50 dollars for a t-shirt, indeed. The modern textile industry, evolved from its horribly abusive and exploitative relationship with cheap labor, has now begun to harmfully manipulate consumers. Not only is modern style too expensive, but with it also comes a lack of creativity. What brand could compete with the originality of Macklemore’s thrift shop-inspired style? Chumps who sport brand names certainly cannot keep up with Macklemore’s romantic talents, piss-smell and all.
I’m gonna pop some tags
Only got 20 dollars in my pocket
I, I, I’m hunting, looking for a come-up
This is fucking awesome.
I wear your granddad’s clothes, /I look incredible, /I’m in this big ass coat, from that thrift shop down the road. (x2)
Wanz now adds to the chorus, implementing the previous information about taking your geriatric elder’s style. Not only will he take said style, he will look really fucking awesome in it too. Get it? Fucking awesome? Yeah.
I’m gonna pop some tags
Only got 20 dollars in my pocket
I, I, I’m hunting, looking for a come-up
This is fucking awesome.
Is that your grandma’s coat?
Well, is it?
*Credit to RapGenius.com for its passive assistance with interpreting the lyrics and also intuiting certain concepts/phrases that my honky ass cannot comprehend. [1] NOT GUILTY BETCHES. I’m a grown ass man, amirite?
I have only known one punctual drummer in my whole life. I think that he now plays in a Sonic Youth cover band in Beloit.
Although I am certain that The Welcome drummer Casey Harding is the most punctiliously prompt percussionist there ever was, he was delayed from our taping of this Live at the Ave session by a freak incident on Lower Wacker.
It turned out to be an excellent stroke of luck.
We ended up staying at The Welcome‘s apartment for hours on end, cooking dinner and talking about everything from the songwriting of Blink-182 to Social Security reform. When you’ve got a couple of hours to kill with a guy like Gehring Miller, the frontman of a four-piece that includes Sarah Johnson (vocals, keyboard, percussion), Jonah Kort (bass), and Casey Harding (drums), discussions about the intonation of the guitars at live Sleater-Kinney shows feel pretty natural and you’re no longer surprised to find yourself endorsing Def Leppard as a tremendously talented band.*
Casey Harding, Gehring Miller, Sarah Johnson, and Jonah Kort of The Welcome
The Welcome are coming off of a daring challenge, a project devoted to recording one EP a month for eight months. Recording and producing 31 songs in the time that it takes most freshmen to develop a tolerance, The Welcome constructed a discography that displays an inspired trove of skilled songwriting and musicianship. With EPs devoted to R. Kelly** covers and NPR and everything in between, the Chicago band displays their knack for finding poetry in the most disparate places, from magical socks to football, and the artistic value of frequently producing work of a high quality.
By the end of The Welcome’s final EP, Odds & Ends & Endings, it is clear that not only did the band make an impressive collection of music since the start of their project, but that they also have improved into a tight-knit and incredibly adept band that is capable of creating an abundance of compelling music in the future (starting with their next EP, slated for March).
And on top of that, they’re fucking killer cooks. Not to mention passionate Cholula addicts. Enjoy!
Sherman Ave is extraordinarily grateful to The Welcome for agreeing to this foray into multimedia, as well as Alexander Waldman for his help and support on this project.
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*Never before in my life have I ever wanted to listen to “Pour Some Sugar on Me” so bad.
**Fun Fact: Gehring Miller and Evander Jones attended the same high school as the female R. Kelly “allegedly” peed on.