The songs on Beyoncé’s fifth studio album, BEYONCÉ, are fine. They’re good songs that sound like the music Beyoncé makes, which is what people like to listen to. The music on the album is whatever and absolutely besides the point because OH MY GOD BEY JUST BROUGHT THE INTERNET TO A GRINDING HALT. Beyoncé unexpectedly dropping a 14-song album and the 17 corresponding music videos plus credits exclusively on iTunes—and the ensuing collective Internet swoon—makes Beyoncé pop culture’s truest celebrity and genius. But the mega-stardom and brilliance of Beyoncé and her album succeeds either because of, or in spite of her “visual album” presenting a form of pastiche as devoid of substantive value as Upworthy, and not even half as inspired.
Boyfriend’s Upcoming Mix Tape to Reveal “Darker, Sensitive” Side
22 MarJOLIET — Matt Brennan has announced details for the release of his second mix tape for Stefanie Kirkpatrick, Brennan’s girlfriend of seven months. According to sources close to Brennan’s decision-making process, the new mix CD will feature approximately 19 songs carefully culled from Brennan’s iTunes collection to exhibit a “darker and more sensitive side” of the local analytics manager to Kirkpatrick.
The mix tape, self-produced by Brennan and complete with album art of an original collage of photographs of the couple and detailed liner notes, is tentatively titled Mix for Stefanie #2 and set for release next month. According to Brennan, the mix tape will be available for a limited time only on compact disc, or flash drive “if, you know, that would make Stefanie’s life easier.”
Live at the Ave: The Welcome
13 JanI have only known one punctual drummer in my whole life. I think that he now plays in a Sonic Youth cover band in Beloit.
Although I am certain that The Welcome drummer Casey Harding is the most punctiliously prompt percussionist there ever was, he was delayed from our taping of this Live at the Ave session by a freak incident on Lower Wacker.
It turned out to be an excellent stroke of luck.
We ended up staying at The Welcome‘s apartment for hours on end, cooking dinner and talking about everything from the songwriting of Blink-182 to Social Security reform. When you’ve got a couple of hours to kill with a guy like Gehring Miller, the frontman of a four-piece that includes Sarah Johnson (vocals, keyboard, percussion), Jonah Kort (bass), and Casey Harding (drums), discussions about the intonation of the guitars at live Sleater-Kinney shows feel pretty natural and you’re no longer surprised to find yourself endorsing Def Leppard as a tremendously talented band.*
The Welcome are coming off of a daring challenge, a project devoted to recording one EP a month for eight months. Recording and producing 31 songs in the time that it takes most freshmen to develop a tolerance, The Welcome constructed a discography that displays an inspired trove of skilled songwriting and musicianship. With EPs devoted to R. Kelly** covers and NPR and everything in between, the Chicago band displays their knack for finding poetry in the most disparate places, from magical socks to football, and the artistic value of frequently producing work of a high quality.By the end of The Welcome’s final EP, Odds & Ends & Endings, it is clear that not only did the band make an impressive collection of music since the start of their project, but that they also have improved into a tight-knit and incredibly adept band that is capable of creating an abundance of compelling music in the future (starting with their next EP, slated for March).
And on top of that, they’re fucking killer cooks. Not to mention passionate Cholula addicts. Enjoy!
Sherman Ave is extraordinarily grateful to The Welcome for agreeing to this foray into multimedia, as well as Alexander Waldman for his help and support on this project.
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*Never before in my life have I ever wanted to listen to “Pour Some Sugar on Me” so bad.
**Fun Fact: Gehring Miller and Evander Jones attended the same high school as the female R. Kelly “allegedly” peed on.